Appetizer
Greek Salad – romaine lettuce, tomato , red onion , cucumber, black olives, feta cheese
Beets Salad – endive, baby arugula, pear, goat cheese, caramelized pistachios
Shrimp Cocktail – mignonette sauce, cocktail sauce, fresh lemon

Entree
Mushroom Potato Gnocchi – asparagus, wild mushroom, aged parmigiano reggiano, porcini mushroom sauce
Atlantic Salmon – sorrel sauce , roasted butternut squash & tomato chutney
10oz Hanger Steak – mashed potato, roasted garlic & aged sauce

Dessert
Silan Sundae, Chocolate Cake or Rice Pudding

(Guest Choice of one from each category.)

In keeping with Prospect’s mission to support the next generation of musical theater artists, this program is an opportunity for students to build their performance skills by working with a professional director and music director to present a new musical revue, premiering original songs and monologues written expressly for young people by some of NYC’s most exciting emerging composers and lyricists.  In addition, the intensive will offer a variety of workshops and coaching sessions, as well as master classes with Broadway performers, to deepen general knowledge of theatre practice, strengthen vocal and acting technique, and enhance overall confidence.

To watch a documentary video from the 2011 program, click here.

MUSICAL THEATER SUMMER INTENSIVE
Mon. – Sat., 10am – 6pm
July 9 – 28, 2012 at Theatre Row
(410 West 42^nd St.)

• Summer showcase opportunity for young performers, in the heart of NYC
• Students work with Prospect artists on original material written for teens
• Workshops with Guest Artists
• Individual Coaching Sessions
• Master Classes with Broadway performers
• for students ages 12 – 17

Rolling admission is by audition. Tuition is $850 per student for the three week program.

To schedule an audition appointment, or for more information, please email program director Rachel Dart at Summer@ProspectTheater.org or call 212-594-4476.

Prospect Theater Company, a non-profit organization, was founded in 1998 by five graduates of Princeton University.  Over the past decade, the company has premiered more than twenty new American musicals, and is the artistic home of award-winning writer Peter Mills (2010 Kleban Award for lyrics, 2008 Fred Ebb Award, www.pcmills.com). Recent notable productions include IRON CURTAIN, ONCE UPON A TIME IN NEW JERSEY, WITH GLEE, THE HIDDEN SKY, ILLYRIA, and EVERGREEN.

FOR TICKETS ($18) CLICK HERE or call 212-352-3101.

directed by Dev Bondarin

music directed by
Daniel Feyer

curated by Cara Reichel and Dev Bondarin

lab associate
Nick Brennan

Sat. Feb. 11 @ 3pm
Sun. Feb.12 @ 8pm
Mon. Feb. 13 @ 8pm
Sat. Feb. 18 @ 1pm
Sun. Feb. 19 @ 8pm
Mon. Feb. 20 @ 8pm.

at the West End Theatre in the Church of St. Paul and St. Andrew, 263 West 86th Street.

A show inspired by rites of passage—exploring themes of life changing moments, memory, and the important ceremonies that become iconic of our experiences. During the months of December and January seven writing teams were challenged to create short musicals inspired by rites of passage.  This February, these original works will be workshopped and performed by a cast featuring some of Prospect’s favorite talents!

Featuring short original musicals written by: Sam Carner & Derek Gregor, Michael Cooper & Hyeyoung Kim, Cheryl L. Davis & Cody Owen Stine, J. Sebastian Fabal, Timothy Huang, Laura Kleinbaum & Max Mamon, Janine Nabers & Sharon Kenny

Cast:  Starr Busby, Ryan Dietz*, David Foley Jr.*, Kathryn Holtkamp, Hansel Tan, Anita Vasan*, Daniel Yates*

Stage Manager: Amy Francis Schott*

2012 Musical Theater Lab Writer Biographies

Sam Carner and Derek Gregor received MFAs from NYU’s Graduate Musical Theatre Writing Program. Their musical Unlock’d won a Richard Rodgers Award from the American Academy of Arts and Letters and was produced at the New York Musical Theatre Festival in 2007, where it won the “Best of the Fest” audience award and received Talkin’ Broadway Summer Theatre Festival Citations for “Outstanding New Musical” and “Outstanding Original Theatrical Score.” Unlock’d has gone on to workshops at Theatre Works, Palo Alto and the Ravinia Festival outside Chicago. Sing, But Don’t Tell, a concert of their songs, was presented at NYMF in the fall of 2009, and, in February of 2010, 12 cast members from the Broadway revival of Hair performed an evening of their songs in a show called Buzzed. They have presented a number of other concerts of their songs, including series of concerts featuring a cast of college performers from around the country, entitled Carner & Gregor’s Barely Legal Showtune Extravaganza. In 2011, two of their songs were nominated for Manhattan Association of Cabaret Awards (“Sing, But Don’t Tell” for Best Special Musical Material and “After Hours” for Best Song). A reading of their song cycle Island Song was presented at the 92nd St. Y Tribeca in October of 2011. They are currently at work on several other projects, including a children’s musical, and various book shows. Sam and Derek were in residence at Yaddo in 2005. Derek writes country music with Laura Bell Bundy, and one of their songs was recently featured on her CD, Longing for a Place Already Gone. He also founded the rock band M-LAB: www.mlabmusic.com, whose new CD, A Bold And Hopeful Spark, is now available. Over the past several years, Sam has lectured regularly on various musical-theatre-history-related topics at Yale. Sam has taught musical-theatre history and analysis courses at New York University and Yale. For more information on Sam and Derek: www.carnerandgregor.com.

Michael Cooper is a MAC Award Nominated songwriter and the recipient of the 2005 Jonathan Larson, Daryl Roth, and TRU Daniel Marshall Multicultural Awards.  BA in Theatre from Williams College; MFA from NYU Graduate Musical Theatre Writing Program.  His musical, Sunfish, for which he co-wrote the book and lyrics, has been produced at the Stoneham Theatre, Stoneham MA (February 2011) and showcased at the 2010 ASCAP Workshop with Stephen Schwartz, the 2006 NAMT Festival of New Musicals, TRU Reading Series, and was a finalist in the Alliance Theatre’s Kendeda Playwriting Competition.  Other projects include:  It Shoulda Been You (Additional Lyrics), world premiere at the George Street Playhouse (directed by David Hyde Pierce) and Seattle’s Village Theatre upcoming 2012 season; In The Shadow of My Wings:  Songs by Hyeyoung Kim (Co-Producer and English Translation); the album People Like Us (Co-writer and Producer); Museum Pieces and The Dome (Prospect Theatre Company); The Strange Affair of Dr. Crippen (Theatrebuilding Chicago); Lizardman! (Audience Favorite, Short Attention Span Festival) and Luna Park, commissioned by SUNY Cortland.  Michael was selected for the York Theatre’s NEO5 Concert series (and had two songs, from different projects, featured in the concert) and participated in the ASCAP Johnny Mercer Songwriting Project.  Most recently, he associate produced the short film, Zombie, based on the novella by Joyce Carol Oates.  Member of ASCAP, BMI Workshop, and the Dramatists Guild.  More info available at: www.myspace.com/sunfishthemusical and www.cooperandcaruso.com

Cheryl L. Davis is a recipient of the Kleban Award for her work as a librettist, and her musical Barnstormer, written with award-winning composer Douglas J. Cohen, received a Jonathan Larson Performing Arts Foundation Award, under the auspices of the Lark Play Development Center. Her play about the desegregation of the nations’ school system, The Color of Justice, which was commissioned by Theatreworks/USA, received critical acclaim, including excellent reviews in the New York Times and Daily News, and tours regularly, and her play Winnie the Pooh KIDS is licensed by the Disney Theatrical Group. She is the recipient of a Writers’ Guild Award for her work as a writer for the daytime dramatic serial As the World Turns, and has been nominated for a Daytime Emmy Award for her work on that show as well.  She is a member of the Dramatists Guild, and an associate artist of the Milk Can Theatre Company. She is also the Vice President of Theater Resources Unlimited, a producers’ networking organization, and the Vice President of Communications for the League of Professional Theater Women.

J. Sebastian Fabal is the composer/lyricist for the award winning musical The Tenth Floor (book by Sara Cooper, NYMF 2010). A reading of his new musical, Yoey and Yeya (book/music/lyrics), occurred in November during the Dramatists Guild’s Friday Night Footlight  program. His new children’s musical, The Elko Aliens (book/lyrics by Chris Widney) also made its world premiere last summer at Millbrook Playhouse. Member: ASCAP and DGA. Rep: Jonathan Mills at Paradigm Talent Agency.

Timothy Huang Recent works include Timothy Huang: Chinese or Crazy? (NYTB at the D-Lounge ‘10), the one acts 2 to Wakefield (UCI at the York ‘10) Crossing Over, (Snapshots/Prospect Theater), and Changing Times (NYU at the York ‘09).  Other shows include LINES: A Song Cycle (NYMF ‘08), The View from Here (talkinbroadway.com’s Top 10 of 2006) Short Story Long (NEO Spotlight Series at the York) the full lengths And the Earth Moved (2009 CAP21 residency), and Death and Lucky (2008 MacDowell Fellowship). Timothy holds an MFA in Musical Theater Writing from NYU/Tisch GMTWP, is a member of the Musical Theater lab at BMI and a proud fellow of the MacDowell artist colony. www.timothyhuang.net

Sharon Kenny is a singer/songwriter and composer/lyricist.  Named “A vibrant musical force” by AwakenMusic, her debut album, Pianocentric, was released in August of 2009. My Name Is Sharon and Adjectives & Nouns (EP) were released to a sold out show at Joe’s Pub in 2011.  Her solo projects can be heard on iTunes, Pandora, and Spotify.  She has participated in ANTFest (Ars Nova), The Johnny Mercer Songwriter’s Project (American Music Theatre Project), and received a MAC nomination for her piece “Leaky Ceiling” (Best Comedic Song).  Kenny was most recently the Musical Director of Off-Broadway’s Tony N Tina’s Wedding and has appeared in concerts at the Kennedy Center, the Gramercy Theater, and Feinstein’s. She is currently working on a new musical, A Beautiful Something (Williamstown Theatre Festival) with Janine Nabers.  Her song, “Different Bodies” was recently featured on Lifetime’s hit show, Dance Moms.  www.sharon-kenny.com

Hyeyoung Kim is a 2005 recipient of the Jonathan Larson, Daryl Roth, and TRU Daniel Marshall Multicultural awards. A member of BMI workshop and ASCAP, she participated in the Nautilus Composer/Librettist lab at New Dramatists and the ASCAP Johnny Mercer Songwriting Project.  Originally from Korea, Hyeyoung received her MFA from NYU’s Graduate Musical Theatre Writing Program.  Projects include the musicals: Falling with Dina Gregory—winner of CreativeFactory and DIMF (Daegu International Musical Festival), Korea and selected for Songwriters Showcase NAMT 2010; Sunfish (book and music) with Michael Cooper—selected for the 2010 ASCAP Workshop with Stephen Schwartz and 2006 NAMT Festival; Café-in with Jaejoon Seong—currently running in Korea and toured in Tokyo, Japan; Museum Pieces and The Dome, with Prospect Theatre Company; Luna Park—commissioned by and premiered at SUNY Cortland.  Upcoming:  Music Box (winner of CJ Festival, Korea). She recently wrote/co-produced/performed in a concert of her original songs, In The Shadow Of My Wings, at the Duplex theater. Hyeyoung’s music can also be heard on the album, People Like Us. More info available at www.myspace.com/hymuse and www.myspace.com/musepop

Laura Kleinbaum grew up in Florham Park, New Jersey.  Her first play, Stacy Learns a Lesson, won a contest and was produced on her school’s stage when she was 11. She attended Columbia University, where she had two musicals and a play produced on the Columbia stage and wrote and performed countless sketches on her WBAR radio show, The Amoxicillin Variety Hour. Laura attends Tisch’s Graduate Musical Theatre Writing Program at NYU, where she is a lyricist and book writer in the program. Her work has been performed at The Duplex, Prospect Theater Company, Barrington Stage, and in William Finn’s Songs by Ridiculously Talented Composers and Lyricists You Don’t Know But Probably Should.

Max Mamon is a composer and pianist originally from the suburbs of Chicago, Illinois.  As an undergraduate at Princeton University, he majored in music composition while also writing music and lyrics for the Triangle Club.  Max spent a semester studying piano performance at London’s Royal College of Music, and upon graduation from Princeton, he won the university’s Louis Sudler Prize in the Arts for his score for the opera Rosaleen.  Recently, Max’s music has been featured in various events and venues in New York, including a choreography showing by Ensemble Dance at Alvin Ailey Studios, the West Village Musical Theater Festival, CultureHub Studios, the Duplex Cabaret Theater, and Prospect’s 2011 Summer Intensive.  He is currently pursuing an MFA in Graduate Musical Theater Writing at NYU’s Tisch School of the Arts.  Thanks to everyone at Prospect for this wonderful opportunity!

Janine Nabers is currently the P73 Playwriting Fellow. Her plays include Welcome to Jesus, Annie Bosh is Missing, A Swell in the Ground, Serial Black Face and West of the Willow Tree. Janine is currently a member of MCC Playwrights Coalition and the Dorothy Strelsin New American Writer’s Group. She is an alumna of Ars Nova, Soho Rep Writer/Director Lab, The Dramatist Guild playwriting Fellowship and the 2011 Sundance Theater Lab. Recent work: Decade at London’s Headlong Theatre and the musical A Beautiful Something developed at Williamstown Theatre Festival (music/lyrics by Sharon Kenny). Janine is currently working on a commission from Playwrights Horizons and is a Lila Acheson Wallace playwriting fellow at Juilliard.

Cody Owen Stine is a composer, lyricist, arranger, and musical director. Since 2008, he has written original songs and special material for Delilah Dix and Her Bag of Tricks and Delilah Dix: Showin’ My Business—two full-length cabaret shows featuring a character created and performed by comedian Amy Albert. Delilah Dix has been seen at the Edinburgh Fringe Festival, Ars Nova, the Laurie Beechman Theater, the Duplex Cabaret, and Second City LA. A new evening-length Delilah Dix show currently in development, with all new original songs by Stine and a script co-written by Albert and Stine, will debut at Ars Nova in 2012. Stine is musical director, arranger, and contributing writer for The Water Coolers, a New York-based, internationally touring musical comedy group. Member of the Advanced BMI Musical Theatre Workshop and the Dramatists Guild.  www.codyowenstine.com

TO PURCHASE TICKETS TO MYTHS AND HYMNS CLICK HERE or call 212-352-3101.

*A limited number of $20 rush tickets (cash only) are available beginning one hour prior to curtain, if space remains.

MYTHS AND HYMNS

Jan 31 – Feb 26, 2012

Music & lyrics by ADAM GUETTEL

with new narrative and direction by Elizabeth Lucas

at the West End Theatre in the Church of St. Paul and St. Andrew (263 West 86th St., NYC)

Earth, air, water, fire:  A restless daughter, a mother without words, a righteous father, and a lost son.  Venture into one family’s mythologized past as director Elizabeth Lucas (Clear Blue Tuesday) offers her innovative vision for this song cycle by acclaimed composer and lyricist Adam Guettel (The Light in the Piazza).

“A kaleidoscopically heady musical-theater piece… The songs evoke a kind of human yearning that is as piercing as it is unappeasable: yearning for immortality, true love and God.” – The New York Times

Featuring Linda Balgord*, Ally Bonino, Matthew Farcher, Donell James Foreman*, Anika Larsen*, Lucas Steele*, and Bob Stillman*

Choreographer Wendy Seyb
Musical Supervisor Robert Meffe
Music Director Katya Stanislavskaya
Stage Manager Kristine Ayers*

Scenic design Ann Bartek
Costume design Emily Morgan DeAngelis
Lighting design Herrick Goldman
Sound design Janie Bullard
Casting director Jason Najjoum

*Member, Actors’ Equity Association

Check out these videos from our archive, and learn more about our shows, history, and the people behind the company.

Behind the IRON CURTAIN – November 2011

In the Studio with the Summer Intensive Program – July 2011

I MARRIED WYATT EARP, Western Women – May 2011

Prospect’s Harvest Festival – November 2010

WITH GLEE Promotional Trailer – July 2010

THE HIDDEN SKY, Interviews – February 2010

THE HIDDEN SKY, Fibonacci Sequence Music Video – January 2010

The Making of a Holiday Show, EVERGREEN – December 2009

EVERGREEN Photo Montage – December 2009

Prospect’s 10th Anniversary Photo Montage – June 2009

THE DOME Montage Video – February 2009

THE DOME Video Shorts: Lost Soles, Baby, Voltaire & Emilie – January 2009

ILLYRIA:  The Making of the Postcard – September 2008

TWO PLAY SUBSCRIPTIONS STILL AVAILABLE!  Save on both of Prospect’s remaining 2011-12 Season productions!

Once you have purchased your subscription, simply use your subscriber account information to login online, or call in via phone, and select your show dates and seats throughout the year.  (MYTHS AND HYMNS seats currently available for booking, NYMPH ERRANT seats will be available later this Spring.)

CLICK HERE TO SUBSCRIBE ONLINE or call 212-352-3101.

2011-12 Create Your Own Series (Regular) Subscription
Choose one performance of each production:
IRON CURTAIN (Nov. 5 – 27, 2011)
MYTHS AND HYMNS (Jan. 31 – Feb. 26, 2012)
NYMPH ERRANT (July 7 – 29, 2012)
Tickets are fully exchangeable up to 48 hours prior to the the performance you’ve selected, pending availability. Subscribers receive maximum flexibility, a bonus FREE ticket to our February 2012 Music Theater Lab performance, and avoid ticket service fees.  Subscribers have access to standard ticket price seating locations, and may upgrade to a premium seating location for $10 per show.

2011-2012 Premium Seating Subscription
The Premium Seating subscription offers the same benefits as the “Create Your Own” Subscription and the ability to choose premium seats at no extra charge!

2011-2012 Patron Dinner Subscription
Join Prospect leadership and company artists for a 6pm prix fixe dinner prior to the performance on select dates:
IRON CURTAIN (Sat. Nov. 12, 2011)
MYTHS AND HYMNS (Sat. Feb. 11, 2012)
NYMPH ERRANT (Sat., July 14, 2012)
Patron Dinner Subscriptions are not exchangeable, though we will be happy to secure tickets to a different performance should you find you are unable to attend the Patron Dinner performance.  Tickets are fully exchangeable up to 48 hours prior to the Patron Dinner performance, pending availability.  Subscribers also receive a bonus FREE ticket to our February 2012 Music Theater Lab performance (dates TBD), and avoid ticket service fees.  (Package price includes theater ticket and dinner for each date.)

Click here to learn how you can become a subscriber and SAVE!

IRON CURTAIN
Nov. 5 – 27, 2011
EXTENDED until Dec. 4th!

Book by Susan DiLallo, lyrics by Peter Mills, music by Stephen Weiner
Directed by Cara Reichel, Choreographed by Christine O’Grady
at Baruch Performing Arts Center, Baruch College
(E. 25^th St., between Lexington & 3^rd Aves., NYC)

An uproarious original musical comedy set during Broadway’s Golden Age of the 1950s! The hapless songwriting team of Howard Katz and Murray Finkel finally get their big break… when they are kidnapped by the KGB, taken to Russia, and forced to fix the world’s worst communist propaganda musical.  Will they choose fame or freedom?
“Fizzy showtunes, dizzy shenanigans, and amorous subplots… this is one curtain not to miss!” – Time Out New York

MYTHS AND HYMNS
Jan 31 – Feb 26, 2012
Music & lyrics by Adam Guettel, additional lyrics by Ellen Fitzhugh
with new narrative and direction by Elizabeth Lucas
At the West End Theatre in the Church of St. Paul and St. Andrew (263 West 86th St., NYC)

Earth, air, water, fire:  A restless daughter, a mother without words, a righteous father, and a lost son.  Venture into one family’s mythologized past as director Elizabeth Lucas (Clear Blue Tuesday) offers her innovative vision for this song cycle by acclaimed composer and lyricist Adam Guettel (The Light in the Piazza).
“A kaleidoscopically heady musical-theater piece… The songs evoke a kind of human yearning that is as piercing as it is unappeasable: yearning for immortality, true love and God.” – The New York Times

Cole Porter’s NYMPH ERRANT
July 7 – 29, 2012
Music & lyrics by Cole Porter, adapted and with new libretto by Rob Urbinati
based on the novel by James Laver and the original libretto by Romney Brent
at an NYC venue to be announced.

One of Porter’s most sexy and sophisticated scores — originally censored in its 1933 London debut — will be premiered in this sleek new adaptation.  From a Swiss boarding school, to an Austrian nudist colony, to a Turkish harem… follow the unlikely adventures of young Evangeline Edwards as she enters the world and seeks her true passion.  A fresh take on a rarely-heard gem!
“Displaying a cleverness and intelligence that is rare in today’s musical theatre… Prospect Theater Company should be commended.  They are torchbearers of a grand theatre tradition.” – NYTheatre.com

Programming and performance schedules are subject to change.

THE BLUE FLOWER -   Recorded July – October 2010 by the original Weimarband.  This album can be purchased only through direct sale, by sending a check or money order for $22 (includes shipping and handling) to:  Pontoon Records, P.O. Box 3185, Beverly, MA  01915.  Make checks payable to Pontoon Records.

GOLDEN BOY OF THE BLUE RIDGE – Original Off-Broadway Cast Recording from Great White Wax available for purchase and download!

ILLYRIA - Cast recording from the Shakespeare Theatre of New Jersey‘s 2004 Regional Premiere production, now available for online purchase!

WITH GLEE – Coming soon!

As often as possible, we ask company artists to contribute more personal behind-the-scenes commentary on our shows, giving you a peek into our process. We hope you’ll check out what they have to say!