Please review the following materials for the appropriate character prior to your callback.
Also, please bring your book in case we wish to hear an alternate selection.
Each character has both a musical cut and a scene (or two) to review.
Demo recordings of some songs can be reviewed online here.
Please download and print the PDFs – please contact the casting director Robin Carus with questions or problems.
PLEASE NOTE:  On some PDFs of music, the page numbers are in the reverse order on the PDF, but when printed out can be re-arranged in the right order.
Thank you!

JOSIE: (Note: no “Western” accent – Standard Eastern /MidAtlantic OK)
Room to Breathe – 1st 35 bars, take lower harmony notes
Josie Scene #1 (steps into character of SOPHIE)
Josie Scene #2 (steps into character of WYATT)

YOUNG JOSIE: (Note: no “Western” accent – Standard Eastern /MidAtlantic OK)
Nothing Like The Girls – Bar 57 to End
Young Josie Scene A

ALLIE:
All These Years – Bars 30 – 54
Allie Scene – From Entrance through 1st Lyric Stanza (read lyrics as lines)

YOUNG ALLIE:
I Ain’t Goin Back – top through Bar 26
Young Allie Scene

BESS:
In The Cards – 1st 32 Bars
Bess Scene
Penelope Scene (secondary character, Brooklyn accent)

MATTIE:
I’d Do It All Again
Unpacking Dreams (bars 12-32)
Mattie Scene

HATTIE:
In the Cards (bar 51-66)
Shootout (the effect of this is a “scream” of fear – make the high notes as intense as you can, it shouldn’t be “pretty”!)
Hattie Scene

PAULINE:  Standard British Accent
When a Maiden Makes a Promise – Bars 16 to 48
Pauline Scene

KATE:  Hungarian / Eastern European Accent
Games Are Everywhere – top through bar 27
Kate Scene (do your best with the Hungarian, don’t worry about accuracy, just act the meaning!)

CORA / MAUDE:
When a Maiden – Cadenzas (bar 51 through until end, taking the top line)
Penelope Scene (just have fun with Penelope, we’re interested in seeing you create an over the top character)
Pins & Needles (very simple, for movement call) – please listen to recording